I have the luxury and security of having been in the Game Of Thrones cast for half the year for the last however many years, to be able to spend the next six months asking, ‘What do I really want to do? Do I want to go back on stage for peanuts?’ I’d really like to, but my team are saying that maybe I should capitalise on my current scene in films at the moment. You have to be a bit strategic about it, but that’s the actor’s struggle – it’s the artist’s struggle – to balance your artistic need for catharsis with commercial viability, and that is the line we walk. But then you can strike gold. The Hunger Games and Game Of Thrones have ticked both those boxes.